ARRI ALEXA LF
Featuring a sensor slightily larger than full frame, ALEXA LF records native 4.5K with ARRI’s best overall image quality. This allows filmmakers to explore an immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150fps, encompass all on-set workflow requirements.
ARRI ALEXA Mini
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
- 4:3/16:9 switchable active sensor area with the option of recording internal ARRIRAW
- 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
- Electronic shutter, 5.0° to 356.0°
- Built-in motorized ND filters 0.6, 1.2, 2.1
- 2.3 kg/5 lbs (camera body with titanium PL lens mount)
ARRI proudly introduces AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag.
- 16:9 Sensor (Exact Same Sensor as Other 16:9 ALEXA’s)
- 2K/1080 Rec 709/Log C using ProRes LT, 422, 422HQ, or 444 codecs
- Up to 200fps at ProRes 4444
- Internal ND filters
All ALEXA XT cameras come with the new XR Module (Xtended Recording), a side panel that was co-developed with Codex to replace the previous SxS Module. The XR Module allows in-camera ARRIRAW recording up to 120 fps onto exceptionally fast and rugged 512 GB XR Capture Drives.
In addition to ARRIRAW it is also possible to capture ProRes or DNxHD to an XR Capture Drive for significantly longer recording times as well as ProRes 4444 recording at 120 fps. ProRes 4444 at 24 fps can be recorded for a total time of 107 minutes.
For the most effective use of anamorphic lenses, each ALEXA XT model is equipped with a 4:3 sensor of the same size and shape as a Super 35 mm film frame.
The Sony F55. Here is a camera engineered to reward its owners now and far into the future. The Sony 4K image sensor incorporates a remarkable electronic frame image scan. You get superb dynamic range, the widest color gamut, and pristine image quality whether you shoot in HD, 2K or 4K.
With the optional AXS-R5 recorder, you can even make the jump to incredibly precise 16-bit Linear RAW in both 2K and 4K. 2K RAW High Frame Rate has arrived with the free v2.0 upgrade.
RED EPIC W
The Red EPIC W , with its HELIUM Sensor S35 sporting 8K resolution at 2.4:1 resolution (up to 75fps). Dynamic ranges at 16.5+ stops, 300MB/s Data Speeds. REDCODE RAW + Apple ProRes or Avid DNxHR/HD.
RED EPIC DRAGON
With the 6K RED DRAGON® sensor, you can capture over 9x more pixels than HD.
Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density.
Industry leading specs distinguish the EPIC DRAGON as a model for image innovation, helming the evolution of digital cinema technology.
PHANTOM FLEX 4K
The Phantom Flex 4K is a full-featured digital cinema camera, capable of speeds that range from standard frames up to 1000 frames per second at 4K and almost 2000 frames per second at 2K.
At 4K resolution the flex4K offers super 35mm depth of field.
Onboard Anton Bauer batteries allow for handheld run and gun untethered to a PC.
Recommended EI = 400 – 640
- 4096 x 2160 @ 1000 fps
- 1920 x 1080 @ 1975 fps
- 64gb internal RAM
- 1TB CineMag IV
The Phantom Flex is a 2.5K digital cinema camera providing exceptional flexibility in all areas of high-speed image capture. Depending on the shooting mode and resolution, the Flex is capable of shooting from 5 frames-per-second (fps) to over 10,750 fps.
- Up to 2,570 fps at 1920×1080 in Standard Mode
- 12-bit pixel depth
- HQ Mode provides the ultimate in image stability under changing shooting conditions
- Phantom CineMag & CineMag II compatible, CineMag interface has field-replaceable pin array